At the Grammys, Sisters Dressing for Themselves

which’s possible which the most out-there moment of fashion week took place Sunday night thousands of miles away via the brand-new York catwalks — sorry, red carpet — at the Staples Center in Los Angeles.

I am speaking, of course, of Cardi B’s Grammys entrance as Venus emerging via her clam in vintage Thierry Mugler (circa 1995), her top half covered in a nude body suit in addition to molded bustier, her bottom half in black velvet which exploded into a pink satin abalone frame around her pearl-encrusted waist.

which was a little absurd in addition to a little unwalkable in addition to deep within the realm of costume. (She later changed into another vintage Mugler, an off-the-shoulder white gown with floor-length fringe, the better to make which to the stage to accept her Grammy for best rap album.) although as an image of female potency in addition to coming into one’s own, which was impossible to miss.

Sometimes, you’ve just got to get out of your shell.

Along with Janelle Monáe’s flying buttress Jean-Paul Gaultier minidress in addition to flying square hat, which was a reminder which red carpet fashion is usually at its most arresting when which is usually about statement-creating of the very personal kind — when clothing on the red carpet was unabashedly performative instead of protective.

Even if Lady Gaga, the former dress provocateur, seems to have blandified herself into haute Oscar acceptability. Was which only 2011 when she made her Grammys entrance in a translucent egg? She has gone via there to understated Saint Laurent column in eight years.

which’s a journey, of a sort — in addition to one which is usually presumably her choice, which is usually the point. If she at This kind of point wants to define herself in silver screen terms instead of meat dresses, which’s her prerogative. Though the jewel-encrusted unitard she wore to sing “Shallow,” which hinted at some of the looks of yesteryear, made me miss the more jaw-dropping moments.

Still, if there was any real takeaway via the Grammys fashion, which was the range of styles on display on a night which finally put women front in addition to center.

in addition to you could see which in Dolly Parton, who did herself in ruffly red in addition to then body-hugging white lace in addition to sparkles to perform. In Diana Ross, who did full-on diva within the stage-swallowing biggest dress of the night (she’s earned which). In Katy Perry, who did bulbous ruffles in pink Balmain (there was a lot of pink), which both made her look a bit like a hedge in addition to was kind of toned down (for her). In Miley Cyrus in addition to her tux (Mugler) in addition to the yellow floral trouser suit she wore to perform with Dolly (Valentino couture). within the Coach jumpsuit with more than 25 kinds of crystals in addition to paillettes which H.E.R. wore on the red carpet.

Like them or not, they spoke to the fact which music may be the last refuge of the fashion risk-taker. which’s one of the few celebrity-adjacent industries which has managed not to get indebted to the “ambassador of XX house” machine; where clothes still serve at the pleasure of the celebrity, as opposed to the various other way around.

which is usually, after all, how they should serve us all.