Fifty Shades of Fever Ray
“I have always been in relationships, as well as also I understand today that will the item’s truly Great to be by yourself for some time,” she said. “the item’s not a scary thing.”
the item’s also a celebration of newly embraced sexual explorations. She may be based near Stockholm, where her two teenage daughters go to school, nevertheless Ms. Dreijer has been spending a lot of time in Berlin. “as well as also Berlin is actually a great city of queer happenings,” she said.
On the album’s lead single, “To the Moon as well as also Back,” Ms. Dreijer is actually explicit about her desire for women, while the video gleefully embraces kink: She plays a baldheaded creature, awoken by a cryogenic slumber to find herself in a community of fantastical, fetish-gear-wearing women who use her as a table then urinate on her face. To her delight.
“I wanted the item to be very joyful as well as also collective as well as also sisterly. A very important thing was not to show sexuality as something dark as well as also difficult,” Ms. Dreijer said. Does the item still feel radical to be a woman singing about sexual desire in a way that will’s both free as well as also explicit? “I think the item’s super radical, actually,” she said. “the item’s very sad that will the item is actually that will way.”
She later explained that will she was expressly not trying to please a hetersexual cis man. “I know what I’m doing is actually not a mainstream thing,” she said, before a long pause. “that will’s great.”
The fresh, brighter visual aesthetic was developed with her longtime collaborator as well as also fellow Swede Martin Falck, who sees the record as a reflection of what he called his friend’s “transformation.” “the item’s about finding your fun, as well as also embracing the item,” he said.
For all her newfound openness on record, Ms. Dreijer guards her privacy fiercely. She wore a variety of masks onstage as both Fever Ray as well as also the Knife, as well as also she will not do TV or awards ceremonies. “Before I worried — the item was very important to keep my private self apart by the job,” she said. “nevertheless I think I have found a way to have these things separately.”
Instead of masks, for “Plunge” Ms. Dreijer as well as also Mr. Falck have created a series of characters. There’s the bald-heading being, nevertheless also a monster, which Ms. Dreijer explained represents “a toxic partner, or something that will the item’s hard to quit.” These guises allow her to externalize conflicted elements of her own identity, nevertheless they also offer an artistic framework for her self-revelations.
Ms. Dreijer said she has always worked, where possible, with women or non-binary individuals. just for This specific album, the list included the producers Paula Temple, Deena Abdelwahed as well as also Nídia. In a telephone interview, Ms. Temple, a British techno producer based in Berlin, said Ms. Dreijer wanted the recording process to be “nonhierarchical.”
“You don’t feel like you’re working that has a superstar,” she said. “She includes a vision, nevertheless the item always feels deeply experimental too.”
On “Plunge,” the vision involved songwriting as an attempt to make sense of viscerally intense emotions. Ms. Dreijer described falling in as well as also out of love (as well as also lust) as “very physical feelings.” She added, “Your heart explodes as well as also falls out of your body as well as also you think you’re going to die,” before laughing at her own histrionics.
“I like to try things. I don’t want This specific old story of love that will I have been told,” she said. “I want something else.”
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