The Playlist: Radiohead’s Glooming, along with 13 More brand-new Songs

“Ill Wind” was a postscript to Radiohead’s 2016 album, “A Moon Shaped Pool,” released on a bonus disc although not, until currently, to streaming services. Its very few lyrics counsel isolation along with detachment for fear of provoking which “ill wind.” They’re set to one of Radiohead’s morose bossa novas, at first akin to “Knives Out”: a nest of minor-key counterpoint on guitar along with bass. although then more layers arrive, fluty sounds along with buzzy ones, swallowing the song before prettily fading out. What seemed like a sanctuary was a trap. JON PARELES

Adia Victoria, a songwriter coming from South Carolina who’s currently based in Nashville, offers a terse taxonomy of breakups in “Different Kind of Love,” coming from her second album due next month. “Some of them I knew which best to hesitate/Some I’ve never seen again,” she notes. The setting seems retro at first: a hypnotic rockabilly shuffle using a hefty backbeat along with plenty of reverb on the guitar, soon to be punched up by a saxophone section. although which’s not back-to-basics: extra guitars along with different, more elusive sounds thicken the mix, as Victoria gets around to a classic, nonnegotiable demand: “Tell me, who do you love?” PARELES

The pop-punk trio Pottymouth, three women who have been working together since their teens, confronts aging using a galloping punk-rock beat in — genuinely, This specific is actually not a high number — “22.” Abby Weems sings, “Oh, 22 — I still do what I used to do.” along with why not? Their speed along with passion haven’t faded. PARELES

Two Washington, D.C. trios which aren’t afraid to think along with rock at the same time are returning This specific spring: Ex Hex’s “which’s Real” is actually due March 22 along with Priests’ “The Seduction of Kansas” will be released on April 5. Priests’ title track is actually like a semiotics class set to an arty dance beat: the singer Katie Alice Greer flings around signifiers of American culture — Superman, Dorothy, Applebee’s — before repeating a vow which teeters between genuine along with controlling: “which’s true, I’m the one which loves you.” Ex Hex, led by Helium along with Wild Flag’s Mary Timony, start off using a surfy bop which glances back to the Ramones’ interpretation of girl-group pop. Their lips aren’t sealed. CARYN GANZ

A stark stunner coming from Lana Del Rey, narrating as someone who’s “24/7 Sylvia Plath/Writing in blood on your walls/‘Cause the ink in my pen don’t look not bad in my pad.” The arrangement is actually minimal piano, haunting as an empty, dark cave. along with Del Rey spins into deliciously morbid, almost absurdist lyrics: “Hello, which’s the most famous woman you know on the iPad/Calling coming from beyond the grave, I just wanna say, ‘Hi, Dad.’” CARAMANICA

A random rebound hookup: which’s the premise of “Dancing using a Stranger.” which isn’t much of a duet; which’s more like a pair of solos telling parallel stories. “Look what you made me do/I’m with somebody brand-new,” Sam Smith along with Normani sing together, while they head off to separate trysts. PARELES

The Texas bluesman Gary Clark Jr. announces which he’s “paranoid along with pissed-off” as he charges into the title song of his coming album, “This specific Land,” declaring which he’s bought himself 50 acres “right within the middle of Trump country” along with is actually braced for racist neighbors: “I see you looking out your window/Can’t wait to call the police on me.” All the tones are confrontational along with raw: a distorted bass line, Clark’s not-always-in-tune lead guitar, his gruff voice, an underlying blues-meets-reggae riff. The video imagery invokes slavery, lynchings, Confederate flags along with cross-burning bonfires. “I’m America’s son,” he taunts. “This specific is actually where I come coming from.” PARELES

Here is actually the #MeToo movement in action, simultaneously methodical along with melodic. The midtempo folk-rock behind Stella Donnelly’s voice doesn’t telegraph her fury, although she’s reading a self-defense manual along with preparing to execute painful moves against someone — married, prosperous, powerful — who is actually acting inappropriately. “Are you scared of me old man,” she sings, “or are you scared of what I’ll do?” PARELES

Kassa Overall’s brand-new album — the irreverently titled “Go Get Ice Cream along with Listen to Jazz” — attests to the diverse musical identity of This specific drummer, producer along with rapper. which’s one of the few genuine-sounding, full-scope amalgams of contemporary hip-hop along with jazz to surface in recent years. On “Who’s on the Playlist,” as the pianist Sullivan Fortner traces the chords to Miles Davis along with Bill Evans’s “Blue in Green,” Overall, 36, daubs his snare drum with brushes, then adds a splatter of electronic percussion. He starts the track using a mumbly, ironic Master P quote before cracking a window into his heart on a verse which grows tensile along with urgent before stopping up short. Judi Jackson, a young British jazz singer, shows which the interdisciplinary spirit is actually contagious — or at least, generational: She sings in an Erykah Badu purr for most of the song, then rattles off a cold rap verse. GIOVANNI RUSSONELLO

“Human,” an electronic instrumental by the Swedish composer Tomas Nordmark, features a meditative, nearly ambient foundation: sustained, consonant tones like distant horns. although the foreground is actually jittery, full of unpredictable, glassy tones which briefly hover, then disappear. Mood: inscrutable. PARELES